The Great Gatsby won two Oscars at the Academy Awards last week in the design category. The movie took large strides in inspiring both fashion and decor last year. Catherine Martin was the production manager and won Oscars in both best costumes and best production design with set decorator Beverley Dunn.
The flower scene in The Great Gatsby is my favorite, both in the novel and the movie, although the later far surpassed my limited imagination in high school English class. The scene is set for Gatsby to reunite with his beloved Daisy and no luxurious detail is spared.
"The flowers were unnecessary, for at two o’clock a greenhouse arrived
from Gatsby’s, with innumerable receptacles to contain it. An
hour later the front door opened nervously, and Gatsby, in a white
flannel suit, silver shirt, and gold-colored tie, hurried in. He was
pale, and there were dark signs of sleeplessness beneath his eyes."
Daisy and Gatsby sharing a moment amidst an explosion of lavish hot house orchids. Stems of cymbidium, dendrobium and phalaenopsis orchids in a cream, soft green and white color palette.
"We chose to put a
ludicrous number of flowers, particularly orchids, because that would've
required hothouses and would represent Gatsby's extraordinary wealth."
production designer Martin said.
Martin, who also won two Oscars for production and costume design of
Moulin Rouge, answered a few questions
for the LA times on the art deco floral design inspiration:
What was the inspiration for those outrageous floral sprays in Gatsby's house?
I looked at interiors done by Elsie de Wolfe, but the main influence
was Constance Spry, probably the most famous florist in London in the
1930s and a favorite of the duchess of Windsor. For her time, she was
extremely wild and surrealist, adding cabbage leaves and unexpected
country garden things to arrangements. We chose to put a ludicrous
number of flowers, particularly orchids, because that would’ve required
hothouses and would represent Gatsby's extraordinary wealth. Constance
Spry was one of the first people to put flowers in urns and ceramic
swans and other unusual containers, but her arrangements tended to be a
little less full. I chose to override her style a little bit and fill
the arrangements out. The modern eye wouldn’t understand such a
deliberate period look.
The Harlem apartment of Tom Buchanan's mistress also has a giddy gaudiness. How did you achieve that?
I worked with Karman Grech,
who has original wallpaper sample books from the 1920s and had a floral
with lots of red and pink reproduced. In the Fitzgerald book it says
the couch is upholstered in something that looked like the 18th century
painting of a girl in a swing by Fragonard. So we had that digitally
printed onto the upholstery fabric.
I was hard pressed to find out if they were silk orchids or fresh until I came across
this article pointing to an all artificial orchid scene. This explains their particularly perfect appearance, not one bruise or brown blotch in sight! What a visually stunning movie.
I put together examples of some of the orchids used:
Photo credits warner brothers and lucky magazine.
